![]() McDonagh is Irish, and his first film, the macabre In Bruges sends a pair of Irish gangsters on holiday to a Bosch-ian Belgian town where they look at medieval art and wrestle with guilt. I’ve been trying to figure out why for almost three weeks now. Three Billboards Outside Ebbing, Missouri fits the paradigm in every case, but still I find myself resisting it. His primary ingredients in his cinematic concoctions have been language, religion, and stories-a few of my favorite things-and he typically casts a few of my actors in his films. McDonagh’s films are all violent, black comedies deeply concerned about cosmic justice. Three Billboards Outside Ebbing, Missouri is the latest film from one of my favorite directors, Martin McDonagh of In Bruges and Seven Psychopaths cinematic-fame (though his primary medium is the stage).
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